Taschen, Cologne, 2016 | Hardcover, 368pp | 24 x 32 cm | First Edition | English, German & French Text
A richly produced monograph dedicated to the work of Mark Ryden, one of the central figures of the Pop Surrealism / Lowbrow movement. Pinxit brings together a wide selection of his paintings, presenting the artist’s distinctive visual language - a blend of classical technique, childlike innocence, and unsettling, often symbolic imagery.
The volume opens with Ryden’s own Artist’s Statement, followed by the introduction “Horror Vacui: Mark Ryden’s Intricate World” by Kristine McKenna. The content is structured around major thematic series and exhibitions, each accompanied by essays from established writers and curators, including Debra J. Byrne, Carlo McCormick, Mike McGee, Kristine McKenna, Holly Myers, Kirsten Anderson and Amanda Erlanson. The appendix includes an afterword, “Finding Ryden” by Yoshitomo Nara, along with the exhibition and publication history.
Lavishly illustrated throughout with full-page colour reproductions, the book documents key series including The Meat Show, The Blood Show, Bunnies and Bees, and The Tree Show, offering both visual and critical insight into Ryden’s symbolic, meticulously rendered work.
Large-format, oversized hardcover volume with pink cloth boards and gilt lettering to spine and front. Patterned endpapers featuring Ryden’s signature iconography. Parallel text in English, German & French.
Substantial, weighty object designed for display as well as reference.
Very good condition: Light surface and edge wear to covers, particularly to corners. Internally clean, crisp and tightly bound. No inscriptions.
