• A black-and-white close-up portrait of a person looking downward with a cigarette resting between their lips, printed on the cover of LUNCHEON Magazine No. 4 (Autumn Winter 2017–2018), with the magazine’s title and article list across the bottom.
  • Open spread from Luncheon Magazine No. 4 showing a colour image of a table with spaghetti, wine and a hat referencing Modigliani on the left, and a black-and-white studio scene with paints and drawings referencing Basquiat on the right.
  • Open spread from Luncheon Magazine No. 4 featuring a full-page colourful illustration of two abstract figures rowing a boat on a stylised sea, surrounded by stars and birds.
  • Open spread from Luncheon Magazine No. 4 with a black-and-white photograph of a man holding a sketch on the left, and a grid of four black-and-white still-life and portrait photographs on the right.
  • Open spread from Luncheon Magazine No. 4 showing two artworks: a dark painting of two figures in red garments on the left, and a colour painting of a nude torso with a decorative plate obscuring the face on the right.
  • Open spread from Luncheon Magazine No. 4 featuring a black-and-white photograph of women in traditional Dutch mourning attire walking in a line on the left, and a colour portrait of a person standing outdoors in full black traditional dress on the right.
  • Open spread from Luncheon Magazine No. 4 showing a colour photograph of a woman lifting large white sheets on a clothesline on the left, and two figures wearing veiled traditional garments embracing outdoors on the right.
  • Open spread from Luncheon Magazine No. 4 with the title “Stephen Jones: Celebrating a Century” on the left, and a colour portrait on the right of a model wearing a sculptural turquoise hat with long red fringe covering the eyes.
  • Open spread from Luncheon Magazine No. 4 showing a model on the left draped in a sheer orange veil against a blue background, and a model on the right wearing a brightly coloured woven headdress with tassels.
  • Open spread from Luncheon Magazine No. 4 featuring a model on the left wearing a large black sculptural hat against a yellow background, and a black-and-white portrait on the right showing a model wearing a headpiece topped with a doll’s head and chain details.
  • Open spread from Luncheon Magazine No. 4 showing a model with braids holding a small round mirror that reflects her face; multiple reflections appear across the white, minimalist background.
  • Open spread from Luncheon Magazine No. 4 featuring black-and-white photographs of shirtless young men by the sea, including portraits, a seated group on a boat, and two figures holding a fishing net.
  • A colourful Gucci advertisement showing a model running through a futuristic corridor lit in red, wearing a yellow plaid jacket, embellished accessories, and carrying a large black Gucci bag, set against a bright blue background with a yellow border.
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PRINTED AFFAIRS

LUNCHEON No. 4 [Autumn Winter 2017-2018]

LUNCHEON No. 4 [Autumn Winter 2017-2018]

£50.00 GBP
£50.00 GBP
Sale Sold out
Taxes included.

London, 2017 | Oversized Softcover, 184pp | 27 × 38 cm

A scarce early issue of LUNCHEON, the cult-format “cultural serving” that blends food, art, fashion, photography and long-form conversation into a single tactile object. This issue centres around the visual world of Paolo Roversi, who photographs Ginevra Elkann for the cover, and brings together a broad cast of artists, writers and image-makers in the magazine’s signature slow, generous pacing.

Features include Milano Chow with text by Lucy Kumara Moore; Mark Peckmezian’s photographs of Wirtshaus Moorlake in Berlin; Marius W Hansen’s The Art of Lunch; and a visit to Donlon Books for Food for Thought. 

Conversations and portraits are threaded throughout: André Walker with Charlie Porter, photographed by Jody Rogac; Rose Wylie at home with Lizzie Carey Thomas; Maria Balshaw and Duro Olowu at Le Caprice, photographed by Roger Keller. 

Further essays and portfolios include Michaël Borremans in conversation with Angela Choon, with photographs by Jack Davison; Annemarieke van Drimmelen’s Rituals from Zeeland; a celebration of milliner Stephen Jones by Suzy Menkes with photographs by Ben Toms; and a second Roversi series with Ginevra Elkann.

Also inside: Robin Muir on M. F. K. Fisher; Michael Bracewell on W. H. Auden and his circle; Benjamin Alexander Huseby’s Auf Der Schattenseite; Ola Rindal’s Mirror Me; La Pinède by Andreas Larsson with drawings by Alex Foxton; and Margot Henderson’s Drinking is Art with recipes photographed by Roger Keller.

Excellent condition: A couple of faint marks to the rear cover, otherwise clean, sharp and as new - appears unread.

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