Von Bartha, Basel / Ariana Museum, Geneva, 2015 | Hardcover, 82 pp | 23 × 29 cm
A catalogue published to accompany Anna Dickinson – Harmony in Glass exhibition presented at the Ariana Museum, Geneva, in collaboration with Galerie von Bartha. Dickinson’s sculptural glass vessels sit at the intersection of design, architecture and contemporary sculpture, drawing on industrial forms while foregrounding material sensitivity, weight and surface.
The publication documents Dickinson’s distinctive approach to cast and polished glass — faceted, cylindrical and architectural vessels that reference Minimalism, Constructivism and postwar abstraction, while remaining resolutely tactile and object-focused. Essays situate her practice within broader histories of applied arts, sculpture and modernist design, with particular attention to material discipline and spatial presence.
Richly illustrated with 30 full-page plates, the catalogue offers a quiet but rigorous reading of Dickinson’s work, appealing equally to collectors of contemporary glass, design-led sculpture and exhibition catalogues from leading European galleries.
Excellent condition: Unread copy, internally pristine except for a hint of age-tanning along page edges. Light shelfwear and fading to covers. No inscriptions.
