{"title":"Signed Copies","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eSigned and inscribed editions — books marked by the hand of their creator. Each copy is a tangible trace of the encounter between author, reader and page. Signatures, inscriptions and dedications turn the printed object into a moment of human connection - a bridge between intimacy and materiality. Authorship made personal.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"mark-neville-childs-play-signed-copy-2016","title":"CHILD'S PLAY by Mark Neville [2016] - SIGNED","description":"\u003cp\u003eThe Foundling Museum, London, 2016 | Hardcover, 110pp. | 24.5 x 28 cm\u003c\/p\u003e\n\u003cp\u003eLimited first edition copy [700 copies only] \u003cspan style=\"text-decoration: underline;\"\u003einscribed and signed by Mark Neville\u003c\/span\u003e. Published in conjunction with the exhibition at the Foundling Museum, London, 3 February - 30 April 2017, and the symposium, \u003ci\u003eSpace to Play\u003c\/i\u003e, on 20 March 2017.\u003c\/p\u003e\n\u003cp data-start=\"729\" data-end=\"1256\"\u003eWorking at the intersection of art and documentary, Neville captures children immersed in free, spontaneous play — from Port Glasgow to North London, and from the war zones of Afghanistan and Ukraine. These images challenge the romantic ideal of play by confronting it with the realities of children’s lives, which are often harsher and more precarious. They reveal how play persists, even in the most unfavourable environments, as an act of resilience and resistance — a way for children to claim safety, power and freedom.\u003c\/p\u003e\n\u003cp data-start=\"1258\" data-end=\"1550\"\u003eConceived as both an art project and an intervention, the book casts play as a universal right, echoing the UN’s 2013 General Comment on Article 31 (the Convention on the Rights of the Child). At a time when up to 13 million children have been internally displaced as a result of armed conflict, and traditional public space is being privatised, \u003ci\u003eChild’s Play\u003c\/i\u003e reinforces our responsibility to ensure that children the world over have full opportunity for play and recreation.\u003c\/p\u003e\n\u003cp data-start=\"1258\" data-end=\"1550\"\u003eAccompanied by texts from \u003cspan style=\"text-decoration: underline;\"\u003eAdrian Voce\u003c\/span\u003e, a leading voice in children’s play advocacy, and \u003cspan style=\"text-decoration: underline;\"\u003eNicola Freeman\u003c\/span\u003e, curator at the Foundling Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVery good condition\u003c\/span\u003e: Unread copy, internally pristine - clean, crisp and tightly bound. Some surface wear to boards, including slight rubbing, bumping and a couple of blemishes.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49286349783364,"sku":"","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12.jpg?v=1726770592"},{"product_id":"frogart-images-and-objects-by-frogdesign-1988","title":"FROGART: IMAGES AND OBJECTS BY FROGDESIGN [1988]","description":"\u003cp\u003eFrogdesign [1988]. Softcover, unpaginated. 25.5 x 30.5 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLarge-format (A4+) catalogue published on the occasion of the Frogart exhibition which took place between 4. November and 3. December, 1988 in Philadelphia. With numerous colour illustrations, this copy is signed (not sure by whom) and dated 29\/10\/1989.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrog Design Inc.\u003c\/span\u003e (styled as \"frog\") is a global design firm founded in 1969 by \u003cspan\u003eindustrial designer\u003c\/span\u003e \u003cspan\u003eHartmut Esslinger\u003c\/span\u003e in \u003cspan\u003eMutlangen\u003c\/span\u003e, \u003cspan\u003eGermany\u003c\/span\u003e as \"esslinger design\". Soon after it moved to \u003cspan\u003eAltensteig\u003c\/span\u003e, Germany, then to \u003cspan\u003ePalo Alto\u003c\/span\u003e, and ultimately to its current headquarters in \u003cspan\u003eSan Francisco, California\u003c\/span\u003e. The name was changed to \u003cspan\u003eFrogdesign\u003c\/span\u003e in 1982 (the name apparently originating from an \u003cspan\u003eacronym\u003c\/span\u003e for Esslinger's home country, the \u003cspan\u003eFederal Republic of Germany\u003c\/span\u003e. Originally printed lowercase as a rebellion against German grammatical rules which other companies adapted, then to \u003cspan\u003eFrog Design\u003c\/span\u003e in 2000, and finally to \u003cspan\u003efrog\u003c\/span\u003e in 2011.\u003c\/p\u003e\n\u003cp\u003eThe company's early designs were for \u003cspan\u003eWEGA\u003c\/span\u003e in 1969, a German radio and television manufacturer, later acquired by \u003cspan\u003eSony\u003c\/span\u003e. Frog continued to work for Sony and designed the \u003cspan\u003eTrinitron\u003c\/span\u003e television receiver in 1975. Their first designs for computer manufacturers were for proprietary systems by CTM (Computertechnik Müller) in 1970 and \u003cspan\u003eDiehl\u003c\/span\u003e Data Systems in 1979. More prominent are the designs for \u003cspan\u003eApple Computer\u003c\/span\u003e, starting with the case of the portable \u003cspan\u003eApple IIc\u003c\/span\u003e, introducing the \u003cspan\u003eSnow White\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003edesign language\u003c\/span\u003e used by Apple during 1984–1990, and continuing with several Macintosh models. The firm also designed \u003cspan\u003eSun's\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eSPARCstations\u003c\/span\u003e in 1989 and the \u003cspan\u003eNeXT Computer\u003c\/span\u003e in 1987.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGood to v\u003c\/b\u003e\u003cspan\u003e\u003cb\u003eery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Slight wear to the folded softcovers, including rubbing, edge wear and a couple of \u003c\/b\u003e\u003cspan\u003e\u003cb\u003efaint blemishes\/water marks\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e. Internally the catalogue is in excellent condition - clean, bright and tightly bound.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49286676250948,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_9762b5bd-0a32-43f3-a42f-5b20314b295f.jpg?v=1726775397"},{"product_id":"tin-pan-valley-a-memoir-with-paintings-by-gordon-house-signed-copy-2004","title":"TIN-PAN VALLEY: A MEMOIR WITH PAINTINGS by Gordon House [2004] - SIGNED","description":"\u003cp\u003eArchive Press, London, 2004 |. Softcover,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e224pp. | 14.8 x 21 cm\u003c\/p\u003e\n\u003cp\u003eFirst edition \u003cspan style=\"text-decoration: underline;\"\u003esigned by Gordon House\u003c\/span\u003e in black ink.\u003c\/p\u003e\n\u003cp\u003eAn intriguing and intimate insight into the life of the most prominent contemporary designer\/painter hailing from South Wales, published in the year of his death.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe author gives a wonderfully humorous and touching personal account, not only of his day-to-day professional experiences but also a great deal of culturally important insights into his own humble beginnings in the little Welsh town of Pontardawe.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEntertaining, educational and inspirational. A work of vital importance to Welsh heritage and compulsory reading for anyone studying graphic design or figurative painting today.\u003c\/p\u003e\n\u003cp\u003eBound in pinted softcovers and profusely illustrated with colour reproductions of Gordon House's artworks as well as b\/w photographs.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRare, out of print title.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Clean and tightly bound copy - appears unread.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49287044890948,"sku":"","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_f31f4f0a-bcd1-45ba-a480-897d357c6b7d.jpg?v=1726781106"},{"product_id":"cook-with-marie-louise-by-marie-louise-snellings-mary-nell-averette-1966-signed-copy","title":"COOK WITH MARIE LOUISE by Marie Louise Snellings \u0026 Mary Nell Averette [1966] - SIGNED","description":"\u003cp\u003eTom Gates, 1966 | Softcover, 180pp + Index | 22.5 x 27.5 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eInscribed and signed by the author and by the illustrator\u003c\/span\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA scarce, characterful cookbook from \u003cspan style=\"text-decoration: underline;\"\u003eMarie Louise Snellings\u003c\/span\u003e [1912–1994] — one of the first women to earn a law degree from Tulane University, later a successful Louisiana politician, and, above all, a legendary cooking queen of the Deep South.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMarie Louise shares her culinary secrets \u003cspan\u003ewith warmth and humour, \u003c\/span\u003ejust the way she would tell you if you were standing with her in the kitchen. Many of the recipes originated in Louisiana, where the Author was from, but there is also a good selection of Acadian, Cajun, Creole and other cosmopolitan dishes. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe text is paired with witty illustrations by \u003cspan style=\"text-decoration: underline;\"\u003eMary Nell Averette\u003c\/span\u003e, printed on thick, textured paper — blank on the reverse and designed to be removable for framing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn unusual and treasured piece of Southern culinary history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eGood+ vintage condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Mild wear\/rubbing to covers, including minor scratches and various little marks. Internally clean and complete, with no loose or missing pages. Pages a little age-tanned, mainly along the edges.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49287347044676,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_97abd3bc-7bdf-47c8-a6e8-0815e04e41f6.jpg?v=1726788237"},{"product_id":"john-gerrard-animated-scene-2009-signed","title":"ANIMATED SCENE by John Gerrard [2009] - SIGNED","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eSchlebrugge.Editor, Vienna, 2009 | Softcover, 64pp. | 29.5 x 19 cm | \u003c\/span\u003eFirst Edition\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSigned and Inscribed by John Gerrard\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"499\" data-end=\"946\"\u003eJohn Gerrard’s hauntingly desolate landscapes have redefined contemporary digital practice. Born in Ireland and based between Doblin and Vienna, Gerrard takes not his homeland but the agri-industrial terrains of middle America as subject matter: oil rigs, pig units, grain silos, small towns. His works are overtly realistic yet meticulously fabricated, rendering scenes that are at once convincing, uncanny and tragic.\u003c\/p\u003e\n\u003cp data-start=\"948\" data-end=\"1460\"\u003e\u003cem data-start=\"948\" data-end=\"964\"\u003eAnimated Scene\u003c\/em\u003e was presented as a collateral project at the 53rd International Art Exhibition, La Biennale di Venezia (2009). Consisting of three large-scale projections, each work introduced a virtual environment constructed between 2007–09 by Gerrard and his studio, based on documentary research of the American Great Plains. A fourth work from the same series was shown concurrently at the Palazzo Fortuny as part of \u003cspan style=\"text-decoration: underline;\"\u003eAxel Vervoordt’s\u003c\/span\u003e exhibition \u003cem data-start=\"1399\" data-end=\"1410\"\u003eInfinitum\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Minimal surface and edge wear to the covers; internally clean, bright and tightly bound.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49287939719492,"sku":"","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_3c1000b7-bc37-46a8-af20-5dcf4375519b.jpg?v=1726796273"},{"product_id":"the-creeping-plague-of-ghastly-facadism-by-the-gentle-author-2019-signed","title":"THE CREEPING PLAGUE OF GHASTLY FACADISM by The Gentle Author [2019] - SIGNED","description":"\u003cp\u003eSpitalfields Life Books [London, 2019]. Hardcover, 122pp. 156 x 234 mm.\u003c\/p\u003e\n\u003cp\u003eFirst editoon \u003cspan style=\"text-decoration: underline;\"\u003esigned by The Gentle Author\u003c\/span\u003e to half-title page.\u003c\/p\u003e\n\u003cp\u003e\"As if I were being poked repeatedly in the eye with a blunt stick, I cannot avoid becoming increasingly aware of a painfully cynical trend in London architecture which threatens to turn the city into the backlot of an abandoned movie studio.\"\u003c\/p\u003e\n\u003cp\u003eThe Gentle Author presents a humorous analysis of facadism - the unfortunate practice of destroying an old building apart from the front wall and constructing a new building behind it - revealing why it is happening and what it means.\u003c\/p\u003e\n\u003cp\u003eAs this bizarre architectural fad has spread across London, The Gentle Author has photographed the most notorious examples, collecting an astonishing gallery of images guaranteed to inspire both laughter and horror in equal measure.\u003c\/p\u003e\n\u003cp\u003eThis novelty hardback of 122 pages is bound in double board covers and profusely illustrated in full colour.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnread copy, internally pristine - clean, crips and tightly bound. Minimal surface and edge wear to the exterior from handling and storage.\u003c\/strong\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49292133531972,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-17_a12fb7d8-f227-4ad2-81ce-0e14da664750.jpg?v=1726856688"},{"product_id":"the-truth-is-in-the-soil-by-ioanna-sakellaraki-2022-signed","title":"THE TRUTH IS IN THE SOIL by Ioanna Sakellaraki [2022] - SIGNED","description":"\u003cp\u003eGost [2022]. Clothbound hardcover, 112 pages. 230 x 290 mm.\u003c\/p\u003e\n\u003cp\u003eFirst edition copy \u003cspan style=\"text-decoration: underline;\"\u003esigned by the artist\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Truth is in the Soil\u003c\/i\u003e by Ioanna Sakellaraki is a 5-year exploration of grief as an elegy to her late father and the dying tradition of mourning in Greece. After her personal loss, Sakellaraki’s own grieving process became the lens through which she investigated collective mourning in Greek society, the intersection of ancestral rituals, private trauma and the passage of time. Further inspired by the last communities of mourners on the Mani Peninsula of Greece as the doyennes of a dying tradition, the work explores mortuary rituals as a way of humans adapting to death.\u003c\/p\u003e\n\u003cp\u003eThe images in the project—landscapes and portraits—derive from Sakellaraki’s medium format photographs. Through both manual and digital processes, she adds layers to what has been documented as real, rerouting the viewer through existing and imaginary spaces. For example, silhouettes of mourners gazing at mountain ranges appear weathered, time-worn fragile with cracks and damage, and other images are cut out, marked and drawn back together. There is a versatility though in the imagery, shifting from black and white to colour, the abstract to the figurative. Sakellaraki’s process acts as a visual representation of the gradual and irreversible loss of the departed in the mind and the simultaneous reconstruction of memories.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eBrand new copy, unsealed\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49307122172228,"sku":"","price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_4f6f5d67-8005-4096-8e2c-da10b7874e26.jpg?v=1727054373"},{"product_id":"fight-night-by-miriam-toews-2022-signed","title":"FIGHT NIGHT by Miriam Toews [2022] - SIGNED","description":"\u003cp\u003e\u003cspan\u003eFaber \u0026amp; Faber, 2022 | \u003cmeta charset=\"UTF-8\"\u003eHardcover, \u003cb\u003e‎ \u003c\/b\u003e272 pages | 135 x 216 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFirst Edition \u003cspan style=\"text-decoration: underline;\"\u003esigned by the Author\u003c\/span\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"243\" data-end=\"487\" class=\"\"\u003eA novel that reads like a breathless letter from the edge of chaos - Miriam Toews’ \u003cem data-start=\"324\" data-end=\"337\"\u003eFight Night\u003c\/em\u003e is a fierce, funny and deeply tender portrait of three generations of women doing their imperfect best to hold each other [and themselves] together.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"703\" class=\"\"\u003eTold through the eyes of nine-year-old Swiv - equal parts observer, accomplice and unlikely sage - it’s a story about resilience, inheritance and the elegant, exhausting art of surviving one’s family with wit intact.\u003c\/p\u003e\n\u003cp data-start=\"840\" data-end=\"1009\" class=\"\"\u003eSharp, unsentimental and entirely original, \u003cem data-start=\"885\" data-end=\"898\"\u003eFight Night\u003c\/em\u003e is less a novel you read than one you listen to, closely - like an overheard conversation you don’t want to end.\u003c\/p\u003e\n\u003cp data-start=\"840\" data-end=\"1009\" class=\"\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e: A fine, unread copy in a near fine dust jacket. A hint of surface and edge wear to jacket from a handling and storage. Slight marking to front flyleaf. Otherwise pristine.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":54718560338244,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/FIGHTNIGHTMiriamToews2022-0.jpg?v=1745603752"},{"product_id":"five-image-text-engage-connect-proof-2002","title":"FIVE: IMAGE TEXT ENGAGE CONNECT PROOF [2002]","description":"\u003cp\u003e\u003cspan\u003e\u003cb\u003e2002 REBIRTH ISSUE: Cultural Landscape\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition of serial-numbered copies, of which this is copy 01151, signed by \u003cspan style=\"text-decoration: underline;\"\u003eTina Lomas\u003c\/span\u003e. Includes a 10 x 15-inch poster, \u003ci\u003eGarden of Eden\u003c\/i\u003e by \u003cspan style=\"text-decoration: underline;\"\u003eJoe Magee\u003c\/span\u003e, folded and laid in.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePermanent Gold, 2002 | Softcover, 88 pages | 230 x 275 mm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA cerebral playground disguised as a magazine—and guided by the sharp art direction of \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePeter Saville\u003c\/span\u003e\u003cspan\u003e—\u003ci\u003eFIVE\u003c\/i\u003e was where the minds of cultural heavyweights collided in bold print and sharper thinking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith an editorial scope that’s part philosophical salon, part visual experiment, this issue features contributions from the likes of \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSusan Sontag\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eJohn le Carré\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDon McCullin\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRichard Long\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eJohn Maeda\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e, \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMartin Parr\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRichard Billingham\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eJohn Boorman\u003c\/span\u003e\u003cspan\u003e—a rare lineup that reads like the guest list of a dream dinner party curated by a very discerning host.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover features original art by \u003cspan style=\"text-decoration: underline;\"\u003eTina Lomas\u003c\/span\u003e, titled \u003ci\u003eRebirth\u003c\/i\u003e, depicting a baby sculpture emerging from a thicket. 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This is copy number 192.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEMH Arts\/Eagle Gallery, London, 2007 | Hardcover, 48 pages | 208 x 275 mm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA literary ghost story wrapped in velvet prose, \u003ci\u003eKafka’s Doll\u003c\/i\u003e is a collaborative bookwork between artist \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePaul Coldwell\u003c\/span\u003e\u003cspan\u003e and poet \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAnthony Rudolf\u003c\/span\u003e\u003cspan\u003e. 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Returning to his childhood home in McKeesport, Pennsylvania, Michals interweaves black-and-white images of empty rooms, streets, bridges and remembered spaces with handwritten verse, building a meditation on family, memory and the ghosts of time.\u003c\/p\u003e\n\u003cp\u003eThe book opens with vintage postcards of McKeesport and a facsimile of Michals’ hand, setting the tone for an intimate, layered narrative. The house itself becomes both archive and reliquary: “this abandoned wooden box is the cabinet where my family’s curiosities are stored.” Through his characteristic blending of photography and text, Michals reanimates the past, blurring the lines between elegy, autobiography and fiction.\u003c\/p\u003e\n\u003cp\u003ePublished in a \u003cspan style=\"text-decoration: underline;\"\u003efirst edition limited to 3,000 copies\u003c\/span\u003e, this copy has been \u003cspan style=\"text-decoration: underline;\"\u003esigned by Duane Michals\u003c\/span\u003e on the half-title page. 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Here he reflects on his journey, but also turns the spotlight toward the next generation of chefs trained in his kitchens, each carrying forward the \u003ci\u003ekokoro\u003c\/i\u003e — the heart — of the Nobu style.\u003c\/p\u003e\n\u003cp\u003eLavishly illustrated in full colour, this large-format volume brings together Nobu’s signature dishes alongside recipes and profiles from chefs working across his restaurants worldwide. 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Appears unread.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55732381155652,"sku":null,"price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/WORLD_OF_NOBU_Nobu_Matsuhisa_2018_4673.jpg?v=1759533021"},{"product_id":"the-leviathans-by-tim-dinsdale-1976-signed","title":"THE LEVIATHANS by Tim Dinsdale [1976] - SIGNED","description":"\u003cp\u003eFutura Publications, London, 1976 | Softcover, 247pp | 12 × 18 cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e**Signed by Tin Dinsdale on the title page**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA cult entry in the literature of the unexplained. Tim Dinsdale - engineer, explorer and the most committed of Loch Ness investigators - extends his search for monsters beyond Scotland’s mythic waters. From Norway’s frozen lakes to the depths of the Pacific, \u003ci\u003eThe Leviathans\u003c\/i\u003e catalogues global sightings of mysterious aquatic creatures with a meticulous, almost devotional zeal. Blending amateur science, folklore and obsession, Dinsdale’s approach captures the strange mid-century moment when pseudoscience brushed against wonder.\u003c\/p\u003e\n\u003cp\u003eIllustrated with photographs, maps and sketches - some drawn from Dinsdale’s own legendary 1960 film footage - this paperback edition is both artefact and curiosity: a relic from the brief period when serious men in lab coats debated sea serpents.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003cb\u003e:\u003c\/b\u003e\u003c\/span\u003e \u003cb\u003eLight creasing to spine ends and corners; mild page toning typical of age. Internally clean and tightly bound.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55807060443460,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/THE_LEVIATHANS_Tim_Dinsdale_futura_1976_6320Large.jpg?v=1760836833"},{"product_id":"the-times-i-knew-i-was-gay-by-eleanor-crewes-2020-signed","title":"THE TIMES I KNEW I WAS GAY by Eleanor Crewes [2020] - SIGNED","description":"\u003cp data-start=\"233\" data-end=\"295\"\u003eVirago, London, 2020 | Paperback, 308pp | 13.5 × 21.5 cm\u003c\/p\u003e\n\u003cp data-start=\"297\" data-end=\"630\"\u003e**Expanded edition, signed by Eleanor Crewes.**\u003c\/p\u003e\n\u003cp data-start=\"297\" data-end=\"630\"\u003eA tender, funny and quietly defiant graphic memoir about identity, self-acceptance and the long road to honesty. In a series of understated yet piercingly honest drawings, Eleanor Crewes traces the moments that shaped her understanding of herself - from schoolyard crushes and Catholic guilt to coming out and falling in love.\u003c\/p\u003e\n\u003cp data-start=\"632\" data-end=\"837\"\u003eBoth deeply personal and universally resonant, \u003cem data-start=\"679\" data-end=\"707\"\u003eThe Times I Knew I Was Gay\u003c\/em\u003e explores the awkward choreography of growing up queer with warmth, wit and an illustrator’s sensitivity to gesture and silence.\u003c\/p\u003e\n\u003cp data-start=\"897\" data-end=\"983\"\u003e\u003cstrong data-start=\"897\" data-end=\"911\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVery good+ conditio\u003c\/span\u003en:\u003c\/strong\u003e \u003cstrong\u003eFaint creasing to spine, otherwise as new.\u003c\/strong\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55807275729220,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/THE_TIMES_I_KNEW_I_WAS_GAY_ELEANOR_CREWES_2020_4219Large.jpg?v=1760846422"},{"product_id":"indecent-exposure-by-gerald-scarfe-1973-signed","title":"INDECENT EXPOSURE by Gerald Scarfe [1973] - SIGNED","description":"\u003cp\u003e\u003cspan\u003eSelf-published, London, 1973 | Softcover, 26pp | 31 x 43 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**Limited \u0026amp; numbered first edition of 1000, signed twice by the Artist**\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1223\" data-end=\"1394\"\u003e\u003cspan\u003eA savage, delirious tour through Gerald Scarfe’s most unrestrained early drawings \u003c\/span\u003e- a burst of unfiltered imagination from the artist who later shaped the visual world of \u003cem data-start=\"1368\" data-end=\"1391\"\u003ePink Floyd’s The Wall\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1603\"\u003e\u003cem data-start=\"1396\" data-end=\"1415\"\u003eIndecent Exposure\u003c\/em\u003e gathers Scarfe’s most deranged and brilliant works: warped bodies, political caricatures stretched to breaking point, h\u003cspan\u003eallucinatory satire\u003c\/span\u003e and pages that pulse with bile, humour and surreal menace.\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1879\"\u003e\u003cspan data-start=\"1646\" data-end=\"1672\"\u003eL\u003c\/span\u003eimited to 1000 copies, this example is hand-numbered 94\/1000. Scarfe has signed it twice  - once on the front free endpaper, once on the title page - making it an exceptionally scarce piece of his early output. \u003cspan\u003eUnpaginated, text-free elephant folio, with 25 plates after title page - plates are blank to reverse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"2049\"\u003eA prime artefact of British graphic subversion: r\u003cspan\u003eaw, caustic, gleefully perverse and visually feral.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good- condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e:\u003c\/b\u003e \u003cb\u003eLight handling wear, mild spotting to rear cover; interior clean and bright. 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Dave Carnie’s voice shaped an entire era of skate counterculture — provocative, crude, inventive and unexpectedly sharp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePacked with behind-the-scenes tales, infamous Big Brother stunts, absurdist humour and rare archival material, \u003ci\u003eboob\u003c\/i\u003e is both a time capsule and a bible of early-2000s skate journalism. Includes recollections from Tony Hawk, Spike Jonze and Jeff Tremaine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn essential piece of skateboarding history and a must for collectors of Big Brother, early Jackass-era ephemera and underground print culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFirst edition in the publisher’s printed softcovers. Black-and-white illustrations throughout. Small section of colour illustrations inside. 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Developed by Oreste Vaccari and Enko Elisa Vaccari, this work presents characters through their pictorial origins, tracing the transformation from early symbolic forms to their modern written equivalents.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned as both an educational and visual system, the book reflects a distinctive pedagogical approach: rather than rote memorisation, it encourages recognition through image, association and narrative. 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