{"title":"Limited Editions","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eBooks produced in small, deliberate quantities - artist collaborations, numbered editions, short-press runs and experimental publications made with exceptional care and intent. Collectable printed matter that celebrates the book as object, artefact and experience.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"mark-neville-childs-play-signed-copy-2016","title":"CHILD'S PLAY by Mark Neville [2016] - SIGNED","description":"\u003cp\u003eThe Foundling Museum, London, 2016 | Hardcover, 110pp. | 24.5 x 28 cm\u003c\/p\u003e\n\u003cp\u003eLimited first edition copy [700 copies only] \u003cspan style=\"text-decoration: underline;\"\u003einscribed and signed by Mark Neville\u003c\/span\u003e. Published in conjunction with the exhibition at the Foundling Museum, London, 3 February - 30 April 2017, and the symposium, \u003ci\u003eSpace to Play\u003c\/i\u003e, on 20 March 2017.\u003c\/p\u003e\n\u003cp data-start=\"729\" data-end=\"1256\"\u003eWorking at the intersection of art and documentary, Neville captures children immersed in free, spontaneous play — from Port Glasgow to North London, and from the war zones of Afghanistan and Ukraine. These images challenge the romantic ideal of play by confronting it with the realities of children’s lives, which are often harsher and more precarious. They reveal how play persists, even in the most unfavourable environments, as an act of resilience and resistance — a way for children to claim safety, power and freedom.\u003c\/p\u003e\n\u003cp data-start=\"1258\" data-end=\"1550\"\u003eConceived as both an art project and an intervention, the book casts play as a universal right, echoing the UN’s 2013 General Comment on Article 31 (the Convention on the Rights of the Child). 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Printed and bound in London by Push.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Light wear to covers only.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49305708069188,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_e081e251-2c08-42f8-b0ee-608a61324fc3.jpg?v=1727031714"},{"product_id":"circus-no-02-the-impossible-issue-2022","title":"CIRCUS No. 02: The Impossible Issue [2022]","description":"\u003cp\u003e\u003cspan\u003eUnbound | \u003c\/span\u003e29.7 x 42 cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in a \u003cspan style=\"text-decoration: underline;\"\u003elimited edition of 1,000\u003c\/span\u003e copies only and hunted by collectors with good taste and wild hearts, \u003ci\u003eCircus Issue 2\u003c\/i\u003e is the kind of anti-beauty bible you don’t just flip through - you \u003ci\u003efall into\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurated by the razor-sharp eye of photographer \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eJackson Bowley\u003c\/span\u003e\u003cspan\u003e, this second instalment of \u003ci\u003eCircus\u003c\/i\u003e breaks all the rules and then throws glitter on the wreckage. 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Binding tight.\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55632447045956,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/DUANE_MICHALS_THE_HOUSEI_ONCE_CALLED_HOME_2003_4825.jpg?v=1757780571"},{"product_id":"jonny-on-a-chorizo-by-paul-haworth-2013","title":"JONNY ON A CHORIZO by Paul Haworth [2013]","description":"\u003cp\u003eTRUE TRUE TRUE, 2013 | Softcover, 152pp | 18 × 11 cm\u003c\/p\u003e\n\u003cp\u003eThe final act in Paul Haworth’s cult trilogy following \u003ci\u003eSilk Handkerchiefs\u003c\/i\u003e and \u003ci\u003eAlone, Desperate and Going Nowhere\u003c\/i\u003e. Set in a deliriously grim 2009 London - gangs, pandemics, pop-up brothels and pyramid schemers - \u003ci\u003eJonny on a \u003c\/i\u003eChorizo finds anti-hero Alex “Abs” Brenchley staggering toward something that might almost be redemption. It’s a book about exhaustion, failure and the absurd persistence of hope, written in a tone that swings between kitchen-sink despair and ecstatic farce - \u003cspan\u003eabsurdist prose at its best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by \u003cspan style=\"text-decoration: underline;\"\u003eSam de Groot\u003c\/span\u003e and published by TRUE TRUE TRUE in an edition of 1,000 copies only, this pocket-sized volume is as visually brash as it is linguistically unhinged - splattered in post-punk colour and charged with the spirit of DIY art publishing at its most self-aware.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eNear fine condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e:\u003c\/b\u003e \u003cb\u003eUnread copy. Bright covers with just a touch of shelf wear from handling and storage. 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A dreamlike study of identity, displacement and belonging.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by \u003cspan style=\"text-decoration: underline;\"\u003eHelios Capdevila\u003c\/span\u003e and printed by \u003cspan style=\"text-decoration: underline;\"\u003eDie Keure\u003c\/span\u003e (Belgium)\u003c\/span\u003e, the book combines dense, dusky portraits with fragments of constructed geography - tiled floors, palm shadows, dust, neon - to build an otherworldly sense of place. Texts by \u003cspan style=\"text-decoration: underline;\"\u003eGreg De Roeck\u003c\/span\u003e and \u003cspan style=\"text-decoration: underline;\"\u003eYing Ang \u003c\/span\u003eframe the work as both intimate and political: a meditation on hybridity and the restless search for home.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNear fine condition\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Unread, with only faint surface wear and mild fading to rear cover.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55826022957380,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/JEFF_HAHN_PORT_YARIN_2016_6380Large.jpg?v=1761183749"},{"product_id":"sydney-a-fanzine-about-sydney-sweeney-by-miu-miu-2022","title":"SYDNEY - A FANZINE ABOUT SYDNEY SWEENEY by Miu Miu [2022]","description":"\u003cp\u003eMiu Miu, Milan, 2022 | Softcover, unpaginated | 25.5 × 36 cm\u003c\/p\u003e\n\u003cp\u003eA fever dream of the fashion–internet feedback loop, commissioned by \u003cspan style=\"text-decoration: underline;\"\u003eMiu Miu\u003c\/span\u003e to accompany their A\/W 2022–23 collection and issued for press and in-store distribution only. This limited fanzine stages Sydney Sweeney as both muse and mirror - the celebrity who knows she’s being watched and refuses to look away first.\u003c\/p\u003e\n\u003cp\u003eStyled by\u003cspan style=\"text-decoration: underline;\"\u003e Lotta Volkova\u003c\/span\u003e and photographed by \u003cspan style=\"text-decoration: underline;\"\u003eTyrone Lebon\u003c\/span\u003e, \u003cspan style=\"text-decoration: underline;\"\u003eMoni Haworth\u003c\/span\u003e and \u003cspan style=\"text-decoration: underline;\"\u003eJulien Klincewicz\u003c\/span\u003e, \u003ci\u003eSydney\u003c\/i\u003e lingers in that disquieting zone where vulnerability becomes performance: a girl sprawled across a hotel carpet, half-undone and fully composed, staring back through layers of glass and pixel. It’s both campaign and confession, folding the language of fandom into a meditation on beauty, desire and the camera’s gaze. \u003c\/p\u003e\n\u003cp\u003eOversized blush-pink, staple-bound zine with overlapping photographic frames, cinematic sequencing and thick semi-gloss paper. Includes an interview by \u003cspan style=\"text-decoration: underline;\"\u003eKarley Sciortino\u003c\/span\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: This copy lacks the original Miu Miu sleeve but remains clean and bright, with only minor handling wear and a tiny yellow mark to front cover - a scarce campaign publication seldom found in any state.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55865092702532,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/FANZINE_ABOUT_SYDNEY_SWEENEY_Miu_Miu_4889.jpg?v=1761781666"},{"product_id":"indecent-exposure-by-gerald-scarfe-1973-signed","title":"INDECENT EXPOSURE by Gerald Scarfe [1973] - SIGNED","description":"\u003cp\u003e\u003cspan\u003eSelf-published, London, 1973 | Softcover, 26pp | 31 x 43 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**Limited \u0026amp; numbered first edition of 1000, signed twice by the Artist**\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1223\" data-end=\"1394\"\u003e\u003cspan\u003eA savage, delirious tour through Gerald Scarfe’s most unrestrained early drawings \u003c\/span\u003e- a burst of unfiltered imagination from the artist who later shaped the visual world of \u003cem data-start=\"1368\" data-end=\"1391\"\u003ePink Floyd’s The Wall\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1603\"\u003e\u003cem data-start=\"1396\" data-end=\"1415\"\u003eIndecent Exposure\u003c\/em\u003e gathers Scarfe’s most deranged and brilliant works: warped bodies, political caricatures stretched to breaking point, h\u003cspan\u003eallucinatory satire\u003c\/span\u003e and pages that pulse with bile, humour and surreal menace.\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1879\"\u003e\u003cspan data-start=\"1646\" data-end=\"1672\"\u003eL\u003c\/span\u003eimited to 1000 copies, this example is hand-numbered 94\/1000. Scarfe has signed it twice  - once on the front free endpaper, once on the title page - making it an exceptionally scarce piece of his early output. \u003cspan\u003eUnpaginated, text-free elephant folio, with 25 plates after title page - plates are blank to reverse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"2049\"\u003eA prime artefact of British graphic subversion: r\u003cspan\u003eaw, caustic, gleefully perverse and visually feral.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good- condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e:\u003c\/b\u003e \u003cb\u003eLight handling wear, mild spotting to rear cover; interior clean and bright. A solid example of a fragile production.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":55985033904452,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/INDECENT_EXPOSURE_Gerald_Scarfe_4850.jpg?v=1763844552"},{"product_id":"die-son-sien-alles-by-viviane-sassen-2012","title":"DIE SON SIEN ALLES by Viviane Sassen [2012]","description":"\u003cp\u003e\u003cspan\u003eLibraryman, Stockholm, 2012 | Hardcover, unpaginated | 24 × 30.5 cm | 2nd Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA striking early photobook by Dutch artist Viviane Sassen, \u003ci\u003eDie Son Sien Alles\u003c\/i\u003e (The Sun Sees Everything), brings together work made in South Africa between 2002 and 2004. Blending staged and documentary elements, Sassen’s images explore themes of identity, memory and perception through a highly distinctive visual language - marked by bold colour, abstraction, fragmentation and the interplay of light and shadow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoving beyond conventional portraiture, the work occupies a space between fashion, art photography and conceptual practice, capturing fleeting moments that feel both intimate and disorienting. The sequencing creates a loose narrative rhythm, where everyday scenes, gestures and environments are transformed into something uncanny and poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBound in the publisher’s distinctive yellow cloth with black titling, the book was issued in a second edition of 700 unnumbered copies, reflecting its status as a highly regarded and sought-after contemporary photobook.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e: Mild wear to corners and edges of the boards. Internally clean and tightly bound. No inscriptions.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":56571763425604,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/Viviane_Sassen_DIE_SON_SIEN_ALLES_1457.jpg?v=1774647813"},{"product_id":"a-series-of-disappointments-by-stephen-gill-2008","title":"A SERIES OF DISAPPOINTMENTS by Stephen Gill [2008]","description":"\u003cp\u003e\u003cspan\u003eNobody, London, 2008 | Hardcover, unpaginated | 24 x 30.5 cm | First Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e**First edition of 3,000 copies only.**\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA quietly compelling photographic study by British photographer Stephen Gill, \u003ci\u003eA Series of Disappointments\u003c\/i\u003e turns discarded betting slips into strange, sculptural records of hope, loss and defeat. Gill collected the slips in and around the 71 betting shops then operating in the London Borough of Hackney, photographing the crumpled, folded and twisted papers as individual objects against dark backgrounds. After photographing them, he performed small “autopsies” on the papers to reveal the failed bets concealed within.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Nobody in association with the Archive of Modern Conflict, the book transforms an overlooked fragment of everyday London life into an exploration of chance, frustration, ritual and human expectation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA distinctive hardcover production in turquoise and purple, with bold geometric graphics and star motifs. The book block is designed to be removable from the outer cover; punched holes allow the individual pages to be expanded and hung from nails or small hooks for exhibition. The first edition comprised 3,000 copies across three different cover designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBook design is by \u003cspan style=\"text-decoration: underline;\"\u003eMelanie Mues\u003c\/span\u003e, with the volume printed in Italy on Cyclus recycled paper stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good- condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e: Visible rubbing, handling marks and small spots to the cloth-covered boards. Light wear around edges and corners. Interior pages shown remain clean and present well.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":57088280985924,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/A_SERIES_OF_DISAPPOINTMENTS_STEPHEN_GILL_7507.jpg?v=1786294234"},{"product_id":"a-sculptors-work-1950-1975-by-john-skelton-1977","title":"A SCULPTOR'S WORK 1950–1975 by John Skelton [1977]","description":"\u003cp\u003e\u003cspan\u003eChristopher Skelton \/ Skelton’s Press, Wellingborough, 1977 | Hardcover, 80pp | 19 x 27.5 cm | First Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e**Review Copy signed by John Skelton**\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA beautifully produced and incredibly scarce limited-edition catalogue documenting John Skelton’s sculpture, published in 1977 to mark the completion of the sculptor’s first 25 years of work. The catalogue records over 150 sculptures, with 26 of the major works illustrated, alongside drawings and photographs of Skelton at work. It also includes a specially commissioned line drawing of his workshop at Streat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe publication brings together Skelton’s own account of his practice with a critical perspective on his career. In the introduction, the artist discusses his work, including his techniques and the materials he used. The accompanying critical and biographical survey by \u003cspan style=\"text-decoration: underline;\"\u003eJoan Ellis\u003c\/span\u003e, a journalist, broadcaster and contributor to \u003ci\u003eArts Review\u003c\/i\u003e, places his work in wider cultural context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book was published in a limited edition of 222 copies only. It was designed and printed by Skelton’s brother \u003cspan style=\"text-decoration: underline;\"\u003eChristopher Skelton\u003c\/span\u003e and is a particularly fine example of private-press production, printed in Monophoto Plantin on Mi-Teintes Canson paper, with 28 plates printed on art paper and tipped in. The gold-printed endpapers reproduce a rubbing taken from one of Skelton’s sculptures, adding another tactile connection between the publication and the artist’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdding considerably to the interest of this particular copy is the contemporary ephemera loosely inserted throughout the book. This includes the original publisher’s prospectuses for the catalogue, which provide detailed information about the publication, as well as three vintage photographic prints of Skelton’s sculptures. One of these photographs depicts \u003ci\u003eTorso\u003c\/i\u003e (1975), which is reproduced as plate 26 in the catalogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e:\u003c\/b\u003e \u003cstrong\u003eThe textured art-canvas binding has some light age-related marking and wear, particularly around the edges. Internally clean, crisp and tightly bound - appears unread. Just a touch of age-toning along the edges of the tipped-in plates. The loose photographs and prospectuses show light to mild age-related edge wear, but are in very good condtion overall.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":57133804323140,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/JOHN_SKELTON_A_SCULPTORS_WORK_8818.jpg?v=1787331678"}],"url":"https:\/\/printedaffairs.com\/collections\/limited-editions.oembed?page=2","provider":"PRINTED AFFAIRS","version":"1.0","type":"link"}