{"title":"Art","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eModern and contemporary art in print - monographs, artist books and exhibiiton catalogues tracing the restless visual imagination of the last hundred years.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"sound-art-beyond-music-between-categories-by-alan-licht-2007","title":"SOUND ART: BEYOND MUSIC, BETWEEN CATEGORIES by Alan Licht [2007]","description":"\u003cp\u003eRizzoli, New York, 2007 | Hardcover, 304pp | 6.2 x 9.35”\u003c\/p\u003e\n\u003cp\u003eOver the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn, created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country’s leading critics and scholars.\u003c\/p\u003e\n\u003cp\u003eThe author traces the history of this form of art–highlighting the convergence of the indie world bands such as Sonic Youth with the art world–looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie Anderson, among many others.\u003c\/p\u003e\n\u003cp\u003eFirst edition bound in printed hardcovers protected by a dust jacket. Includes a compilation CD. Foreword by Jim O'Rourke. Profusely illustrated in full colour. Out of print and increasingly hard to find.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent - as new - condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Unread copy, internally pristine - clean, crisp and tightly bound. Just the slightest hint of surface and edge wear to jacket from handling and storage as the book isn't sealed.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49286705512772,"sku":"","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_cc6a79b9-03d1-4a34-9b07-a90de85cb691.jpg?v=1726776122"},{"product_id":"tin-pan-valley-a-memoir-with-paintings-by-gordon-house-signed-copy-2004","title":"TIN-PAN VALLEY: A MEMOIR WITH PAINTINGS by Gordon House [2004] - SIGNED","description":"\u003cp\u003eArchive Press, London, 2004 |. Softcover,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e224pp. | 14.8 x 21 cm\u003c\/p\u003e\n\u003cp\u003eFirst edition \u003cspan style=\"text-decoration: underline;\"\u003esigned by Gordon House\u003c\/span\u003e in black ink.\u003c\/p\u003e\n\u003cp\u003eAn intriguing and intimate insight into the life of the most prominent contemporary designer\/painter hailing from South Wales, published in the year of his death.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe author gives a wonderfully humorous and touching personal account, not only of his day-to-day professional experiences but also a great deal of culturally important insights into his own humble beginnings in the little Welsh town of Pontardawe.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEntertaining, educational and inspirational. A work of vital importance to Welsh heritage and compulsory reading for anyone studying graphic design or figurative painting today.\u003c\/p\u003e\n\u003cp\u003eBound in pinted softcovers and profusely illustrated with colour reproductions of Gordon House's artworks as well as b\/w photographs.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRare, out of print title.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eExcellent condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Clean and tightly bound copy - appears unread.\u003c\/b\u003e\u003c\/p\u003e","brand":"PRINTED AFFAIRS","offers":[{"title":"Default Title","offer_id":49287044890948,"sku":"","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0865\/8386\/9764\/files\/s-l1600-12_f31f4f0a-bcd1-45ba-a480-897d357c6b7d.jpg?v=1726781106"},{"product_id":"toiletpapa-by-max-siedentopf-2020","title":"TOILETPAPA by Max Siedentopf [2020]","description":"\u003cp\u003eHyena Editions, 2020 | Softcover, unpaginated | 22.5 x 29 cm\u003c\/p\u003e\n\u003cp\u003eToiletpapa is the first bootleg copy of the infamous 'Toiletpaper Magazine' by \u003cspan style=\"text-decoration: underline;\"\u003eMaurizio Cattelan\u003c\/span\u003e and Pierpaolo Ferrari. 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Texts by \u003cspan\u003eJonathan Barnes\u003c\/span\u003e, \u003cspan\u003eRichard Fletcher\u003c\/span\u003e and \u003cspan\u003eWilliam E. Jones\u003c\/span\u003e. Book design by \u003cspan\u003eBrian Roettinger\u003c\/span\u003e and \u003cspan\u003eTaylor Giali\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e“The most beautiful cosmos is a pile of random sweepings.” This aphorism by the Greek philosopher Heraclitus provided the inspiration for the book Flesh and the Cosmos. Artist and filmmaker William E. Jones’ project, which he calls “automatic illustration,” shows the results of Internet image searches based upon a century’s worth of translations of Heraclitus’ phrase from eight words in Ancient Greek. The images range from the sublime to the ridiculous. The artist, whose work has been the subject of solo exhibitions at the Hammer Museum, Wexner Center for the Arts and Tate Modern, writes: “A text from the very beginning of philosophy in the Western tradition … can make the unspoken manias and taboos of contemporary society available to us in a new way.” The fragment has also been the subject of scholarly debate, summarized here in essays by classicists Jonathan Barnes and Richard Fletcher.\u003c\/p\u003e\n\u003cp\u003eScarce.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Clean, bright and tightly bound copy. 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Edited by Jacob Fabricius.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eKim Beom initiated the culture year for Denmark and South Korea with the solo exhibition \u003ci\u003eWater from Ganges River in the Cup Made with Newspaper from Congo\u003c\/i\u003e at Kunsthal Aarhus. The artist showed a series of new works that combine existential questions with poetic playfulness. The paintings, sculptures, installations and videos show a broad range of works that challenge our perception. 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May 1989). \u003c\/p\u003e\n\u003cp\u003eAmongst Backstrom's most compelling works are those portraying the human form through the medium of wire mesh of the type more often used as a base structure for plaster sculptures. The sense of fragility and play of light and shadow is of central importance to those pieces and imbues them with great presence. The catalogue features photographs of some of the mesh works as well as various cast bronze pieces. \u003c\/p\u003e\n\u003cp\u003eIntroduction by\u003cspan style=\"text-decoration: underline;\"\u003e Bo Nilsson\u003c\/span\u003e. 20 pages of plates, blank to reverse.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eVery good condition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Unread copy, internally pristine - clean, bright and tightly bound. 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How does it transform the modes of participation and the reception of the moving image at the time of technological and conceptual revolutions? How does the persistence of the cinematic in contemporary art reflect the determining condition of the screen media in all visual experiences today? What challenges does it pose to the understanding of media culture? What is art after film?\u003c\/p\u003e\n\u003cp\u003eWith contributions from Christine van Assche, Raymond Bellour, François Bucher, Pavel Büchler, Johan Grimonprez, Jim Harold, Bill Horrigan, Pierre Huyghe, Chrissie Iles, Laura Mulvey, Jean- Christophe Royoux, John Waters and Thomas Zumme. 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